historia

Freshwater, M. F.
Journal of Plastic, Reconstructive & Aesthetic Surgery. 2011; (64) 1: 17-26

portada - JPRAS - Vol. 64; No. 1 (2010)The second decade of the 20th century saw the publication of two landmark books – John Staige Davis’ Plastic Surgery its Principles and Practice published in Philadelphia in 1919 and Major Harold Gillies’ Plastic Surgery of the Face published in the United Kingdom early 1920. The aim of this paper is to compare the books critically as scholarly achievements in their time and note their present day relevance.

Sykes, P. J; Santoni-Rugiu, P; Mazzola, R.
Journal of Plastic, Reconstructive & Aesthetic Surgery, 2010-02-01, Volúmen 63, Número 2, Pages 247-250

portada - JPRAS - Vol. 63; No. 2 (2008)

The Venetian adventurer Nicolò Manuzzi composed a detailed manuscript about the Moghul Empire late in the 17th century towards the end of his life. It contained an accurate description of the Indian Rhinoplasty. Although it was returned to Europe from India early in the 18th century it was never published. Had it been disseminated amongst the surgeons of the day we can speculate that the ‘BL’ letter to the Gentleman’s Magazine in 1794 would not have been such a surgical ‘bombshell’ but more a damp squib!
This paper records Manuzzi’s story which finally came to light when his manuscript was translated into English and published in 1907. We believe that these details are not well known amongst plastic surgeons.

Fernandes, J. W; Metka, S.
Aesthetic Plastic Surgery
, April 2016, Volume 40, Issue 2, pp 331-333

portada - APS - Vol. 39 (2015)The roots of science and art of plastic surgery are very antique. Anatomy, drawing, painting, and sculpting have been very important to the surgery and medicine development over the centuries. Artistic skills besides shape, volume, and lines perception can be a practical aid to the plastic surgeons’ daily work. An overview about the interactions between art and plastic surgery is presented, with a few applications to rhinoplasty, cleft lip, and other reconstructive plastic surgeries.

Kneebone, R.
The Lancet, 2014-11-08, Volúmen 384, Número 9955, Pages 1662-1663

portada - The Lancet - Vol. 384; No. 9955 (2014)The Royal College of Surgeons’ new exhibition, War, Art and Surgery , brings together two radically different yet complementary responses to war. Henry Tonks’ harrowing and highly personal images of soldiers treated by the plastic surgeon Harold Gillies during the First World War are counterbalanced by Julia Midgley’s contemporary emphasis on recovery and rehabilitation after conflict in Afghanistan and Iraq.

López, N; Ruiz, A.
Piel. Formación continuada en dermatología, 2015-11-01, Volúmen 30, Número 9, Pages 543-545

portada - Piel. Formación continuada en Dermatología - Vol. 30; No. 9 (2015)La música ha acompañado a la medicina desde los albores de nuestra existencia. Los papiros de Kahum, en el Antiguo Egipto, fueron el primer testimonio que hizo referencia a los potenciales beneficios sobre la salud que aportaba la música . Posteriormente, personalidades griegas tan importantes como Herófilo o Pitágoras establecieron que la música suponía un vínculo entre el alma y la armonía del universo, y contribuía de muy diversas formas a la salud y bienestar de los seres humanos.

Freshwater, M. F.
Journal of Plastic, Reconstructive & Aesthetic Surgery, 2010-08-01, Volúmen 63, Número 8, Pages 1399-1400

portada - JPRAS - Vol. 63; No. 8 (2010)The latest iteration in the Sherlock Holmes movies arrived in America on Christmas Day. Digital effects allowed its director, Guy Ritchie, to have slow motion sequences that showed how Holmes used his senses to deduce facts about other characters. Holmes was a fictional detective, but we plastic surgeons are fortunate to have been taught Gillies’ principle ‘Observation is the basis of surgical diagnosis.’ This was Gillies’ first principle and the basis of his others. He believed that without a proper diagnosis surgical disaster loomed and went so far as to say, ‘Mistakes in diagnosis due to inadequate examination are perhaps the commonest cause of indifferent treatment’.

Freshwater, M. F.
Journal of Plastic, Reconstructive & Aesthetic Surgery, 2012-01-01, Volúmen 65, Número 1, Pages 1-7

JPRAS - Vol. 65; No. 1 (2011)

Carpue’s An Account of Two Successful Operations caused the rebirth of plastic surgery in 1816 over 200 years after the first plastic surgery book was written by Tagliacozzi. Tagliacozzi’s book was pirated with both authorized edition and unauthorized editions having been published in 1597. In his book, Carpue reviewed the literature including Tagliacozzi’s work. Carpue had Charles Turner, engraver-in-ordinary to the King prepare his books illustrations. Comparing Turner’s engraving with those in the original and pirated editions of Tagliacozzi’s book shows that Turner duplicated the pirated edition. The author discovered a pirated edition at St. Bartholomew’s Medical College Library in 1971 that was signed by Carpue and shows how by comparing the illustrations in it with those in Carpue’s book that this was the working copy used by Turner.

Papadakis, M. et als.
Journal of Plastic, Reconstructive & Aesthetic Surgery, 2010-08-01, Volúmen 63, Número 8, Pages e600-e604

JPRAS - Vol. 63; No. 8 (2010)Nowadays, as in the past, much attention is paid to aesthetic operations in women, while only infrequently have such operations been referred to in males. Generally, male aesthetic surgery was introduced to surgical practise during the 19th century. In this study, we analysed the practise of such operations in Byzantine times and in other ancient cultures with surgical knowledge, i.e. ancient India and China.